DJ: How did you do the sword? The light sword? What did you have in your hand? Just
a thing and they added all the light ....
Mark: Well, they had a couple ways of doing it. One was just the handle of it and
you pretend its there. And the special effects people at Industrial Light and Magic
are doing all the effects. John Dykstra who put it in. There was another one which-- you
dont want to give away the magicians tricks, but....
DJ (whispered): Go ahead!
Mark: Yeah?! No, it was actually there, and shot through special glass with special
lighting, so that it looked cheesy if you were doing it. But if somebody else held it and
you looked through the lens, it looked perfect, you know! So, you had the confidence that
it was gonna look alright.
DJ: You had a neon tube in there....
Mark: Well, no. It rotated. It spun around. It was coated with a special material
that looked like sand-coloured sandpaper with like very crystalline pieces of glass and so
forth that rotated and had a wire that went up my hand.
Mark: ...and you know its tied up, too, with my father who the Alec Guiness
character knew and was an associate of. In other words, its a weapon that is
considered old-fashioned in the galaxy were living in now and sort of, you know,
like a poetic tip-of-the-hat to the past or whatever. I mean, this is a weapon that
hasnt been used for hundreds of years.
DJ: The most exciting part of the picture is probably that last quarter which is
basically a World War I dogfight. But I suppose when they shot it, all you did was sit
interminably in these seats with the things around you, and made like you were having a
grand dogfight.
Mark: Yeah. I think thats the hardest thing Ive ever done...
DJ: Yeah?"
Mark: ...acting-wise. Because you were imagining all these things. And plus...
Harrison: Wanting to go to the bathroom.
Mark (chuckling) Well, that. Because once you were up in the cockpit, that was it.
Its like the dentists chair. Forget it, you know. Think of something else. The
director wanted to go all the way through, like, 11 pages of dialogue. I mean, you went
through the entire Star Wars part of it, imagining what the other actors lines
were.
Harrison: (whispering something in background.)
Mark: Responding to lines you hadnt heard read to you. So, in other words, you
memorised all their lines and your lines. And they were rocking this cockpit, you know,
bored. And it was hard.
* * * * * * * * * * *
DJ: Lucas is right.... We all want to go see Flash Gordon without all the rest of
it- with the good. You know, the story is really simple-minded. I was talking about it
earlier and its the kid going to join the Navy.
Mark: Im really amazed that you said that because I remember I picked up the
script at ILM and it had been a while since I tested for George. And they said "What
part are you?" I said "I dont know." And they found the script with
my name on it, and they gave it to me. I had it for a week and they called me up. They
said, "Did you get the script?" I said, "Well, I picked it up, but I
dont get it."'
(Chuckling.)
Mark: And I said "Can you story-board it for me or have somebody come over and
read it out lout?" It took me about 3 times, but then I cant chew bubblegum and
tie my shoelaces at the same time.
DJ: Ah, but the incredible.... Its a set piece- a compendium cliché. All
those goodies from the science-fiction stories that we used to read when we were thinking
about "Gee! Wouldnt it be great to be there?" and Wouldnt I
sometime go out there and look at that?" and its all here!
Mark: Isnt that what it is? It really is. Its like Treasure Island.
Its just finding out whats beyond that.
DJ: Alien planets and starships as big as planets and ray guns and incredible....
that whole station....Its going to be great.
Mark: I know. Its wonderful.
* * * * * * * * * *
DJ: Do you have any stories about the technical side of it, cos Im
interested to know what they did to make things, for instance, look huge. And how they did
the perspective in some of these sets.
Mark: They hired me, for one thing. (Laughs.)
DJ: You may not have seen this.
Mark: Look at how tall I look on the cover of that novel.
(Chuckling.)
DJ: Yup.
Mark: Dont I look good?
DJ: Yup.
Mark: Im standing up at this moment.
(Laughter.)
* * * * * * * * * *
DJ: I was going to segue to a question to Harrison Ford but I aint gonna do it
after this. Yes I am. What were the differences in working American Graffiti and working
with Star Wars? Obviously, special effects. What, if anything. else?
DJ2: There were so many spfx in American Graffiti.
DJ: There was only 1. There was the license plate on the car.'
Harrison: Basically a difference in doughnuts. There basically is very little
difference. George has the same.... I dont know what the difference
is.... Graffiti, I think there was probably a bit more freedom in Star Wars than there was
in Graffiti. In Graffiti, we stuck very closely to the script. I guess we did in this,
too!
Mark: You didnt. I did.
Harrison laughs.
Mark: The thing is, what is amazing about Harrison is like I was over there for a
couple-three weeks. And then Harrison comes along and, up until then, Im the only
American there. My first movie, all these things going on. And then, finally, you have
somebody that comes in that you can bounce ideas off of. I mean, not me... he had
total.... He came in with amazing things in his own mind about the film. And I was just- I
was literally doing every comma, every period, every semi-colon. And in comes Harrison,
hes got big speeches crossed out in the script with arrows. With lines written
out.
DJ: All you screen-writers out there, listen to this....
Mark: Thats the way he did it. Its not in that novel because they did it
earlier- before they knew Harrison was gonna do it. And I think theyre very nervous
about the whole thing.
Laughter.
DJ: You have to have a director whos got a lot of confidence if hes
willing to cut speeches and cut em down to lines.
Harrison: Its not a matter of that. Its really a matter of making things
work. I mean, wed come into a scene and were faced with dialogue straight from
Buck Rogers.
Mark: (chuckling) I loved it.
Harrison: I mean, I used to threaten George with tying him up and making him repeat
his own dialogue
Laughter.
Mark: He kept threatening to do that all through the film. At gun-point.
Harrison: But then, the task is to make it work somehow. And thats where the
actual fun and energy of the whole thing came from. Was making this stuff work.
DJ: When you would cut a speech, you would tell Lucas first or would you walk on, do
2 lines....
Mark: Normally, youd try... youd do a completely different dialogue. If
George didnt like it, you know hed come up and say Dont do
that. But 90% of the time, Harrison would do the lines, you know. The same thought,
the same theme....
Harrison: The only person it really bothered was the script girl, who had the
original script.
Mark: Her hairs white now.
Harrison: But George would often not notice that there was any changes made...
Mark: No.
Harrison: ...because it wasnt a question of changing the impulse of the scene.
It was a matter of trying to make it more speakable.
DJ: Have you read any science fiction...
Harrison: Nope.
DJ: ...since starting the picture? Dont want to? Or do you care?
Harrison: I have other priorities. I dont dislike science fiction, its
just...
Mark: (sotto voce) Hes going to get on to his carpentry business now.
Watch
(normal voice) Hes really getting nervous about the whole thing.
Harrison: (chuckles) No, Im really not particularly interested in science
fiction.
DJ: Okay. You dont have to be. Not particularly interested in being in the
50s either, right? I wanted to mention the only self-indulgent spot in this book I
think for George Lucas, I mean of this sort of indulgence at least, is when 2 of the
Empires soldiers were being referred to and one of thems number was
THX1138.
Mark: In the book... now that comes in the book, Harrisons character Han Solo
is running the Millennium Falcon, one of the largest Corellian starships and its
sucked in by a tractor beam by the ultimate weapon of the dark forces, the Death Star. So
were sucked in and Harrison, you know, its just like in Wizard of Oz when the
Lion and the Tin Man put on the monkey suits, Harrison conks out one of the Stormtroopers
and puts on their gear.
Harrison: Yeah, right.
Mark: Hes dressed totally as a Stormtrooper. And in the film, he steps out,
and says Can you give us a hand with these heavy boxes up here?" Two more
Stormtroopers come out and you hear offstage the thumps and whatever and he put that in
there. But the way it happened in the movie is all really my fault cos I was trying
to be cutesy and you know, in-jokes. And were taking Chewbacca, this character in
the beginning, and pretending hes a prisoner, to get him through the Death Star, in
Stormtrooper outfits.
DJ: One of the good guys is so huge and ungainly big that he wouldnt fit into
the suits so they made him a prisoner so they could get him through.
Mark: Right. Hes big. Hes a race of people that....
DJ: Youve seen the movie, folks. Those movies....
Mark: Right. I think they called it The Bad News Bears here, but... title
change.
Laughter.
Mark: This big ape-guy, played by Walter Matthau. Is being lead to the Death
Star....
DJ: On loan from Dino DeLaurentis.
Mark: Right. Its a boring story and getting even longer as we talk. They say
"What are you doing with this thing?" A guy in the corridor is challenging our
right to be there. And in the script, it says "Its a prisoner transfer from
cell block X197484- a lot of letters and lots of numbers. And just because it was easy,
because I thought Id stroke the director, and he didnt like it.
Laughter.
Mark: I said "Its a prisoner transfer from cell block THX, you know,
1138. He didnt catch it like the first 2 times. When he did, he said
"Dont do that"
Laughter.
DJ: Enough already!
Mark: Right. Which is what he said to me the first time I tested for him. But I did
it anyway cos he forgets. Hes really good that way, and he forgot I did that.
I swear to you as Im sitting here he didnt know that came across. But now
its in the movie and they transcribed the novel from the film, thats it!
Harrison gave his Social Security number when he was reading off the numbers of the
particular serial number. Hes going "2-3-0-7-4....
* * * * * * * * * *
Harrison: Alec Guiness.
Mark: And Peter Cushing...
DJ: Whos known as the "man in the spacesuit".
Mark: The Man in the White Suit. Thats the only science fiction film, right?
He doesnt even understand- well, hes an amazing guy. He doesnt think
hes important, he doesnt think his films will last. He, you know, he all of a
sudden he turns around, says "You know, I dont want to talk about my career.
Lets talk about yours." So we talked about salad dressing commercials.
DJ: If you ever see him, point out to him... Im sure that he does not know
anything about science fiction. Theres a reference to him in Heinleins novel
called Double Star and theres a very flattering reference to him. You gotta point it
out to him sometime.
Mark: Double Star?
DJ: Double Stars . Its the story about the actor who is hired to impersonate a
leader of a planet. Or an ambassador. He winds up taking up with a robot and during the
acting... when Heinleins setting the character, he says that this guy is, he says
that any good actor is doing the double in impersonation is faceless, like the immortal
Alec Guiness.
Mark: Oh. I know, but thats the thing. Ive never seen him be bad. Even
movies I didnt care for. Hes always been...
DJ: Um-hmm.
Mark: Amazingly...
DJ: Oh, hes incredible.
Mark: ...creative. He is, he is! But try and talk about any of his movies and,
uh.... He once gave me a dollar to go away.
Laughter.
Mark: He did. An American dollar, which really made me run fast. If it was a pound,
I would have lingered around, you know, done some impressions, and then just kind of
shuffled away. But, a dollar. I was outta there!.
Few seconds silence.
Mark: Dead air!
DJ: What had you been doing before? You said salad dressing commercials. What is
your experience?
Mark: Ive never acted. Im one of fifteen children.
Harrison is laughing while Mark says this, and the DJ joins in.
Mark: I am!
* * * * * * * * * *
Chuckling.
Mark: No, I was.... My father was a missionary in China.
Harrison is laughing again.
Mark: Thats my dog "Wheezy" in the background there. Hes cute.
Come on, come on, boy! Come on!
* * * * * * * * * *
Mark: But Ive never worked- Harrison was never with Peter Cushing. He tried to
tell me he did, but he didnt. But. I looked at the script. And I didnt work
with Peter Cushing, but I went to work on the days that he did. He barred me from the
set.
Chuckling.
DJ: You must have had quite a time! Alec Guiness gives you a dollar to go away, and
Cushing bars you from the set.
Mark: I know. But theyre my favourites.
* * * * * * * * * *
DJ: Whens the picture gonna be released?
Mark: Well, when? We heard rumours of it...
Harrison: Quite a while ago...
Mark: ...coming out on Memorial Day.
Harrison: Uhh. Memorial Day next year.
Mark: What does that commemorate, Harrison? Putting you on the spot.
Harrison: Nothing that I know of.
Mark: Its a few days before June starts, which we all know is when we get out
of school.
DJ: I dont know where this comes from but.... Okay, Im gonna do
it.
Mark: What are you do- are you going to be real nasty to me now?
DJ: No, no! Not at all. Theres a concept we have on the show...
Mark: Okay...
DJ: ...which is that although we dont know it, somebody in our audience
does.
DJ2: Whatever it is.
DJ: Yeah.
Mark: Call-in?
DJ: Right.
Mark: Oh, Im so... Then that is why that light has been flashing for the last
four hours...
DJ: No, that is for something else. The lines were gonna do are these. Okay,
tell you what lets do. Lets open the phones. Our guests are Mark Hamill and
Harrison Ford, soon to be seen, as they say, in The Star Wars. So, question or comment for
them, if you will. And also, if theres anybody out there who can locate the
reference to "veterans of future wars", call us and let us know where its
from. And, for Gods sake, dont let us down, were on the
spot!
Mark: Oh, look at Harrison! Hes running for the pay-phone.
* * * * * * * * * *
DJ: An acceptable answer. Our guests, Mark Hamill and Harrison Ford of the Star
Wars. If you have a question or a comment, give us a call, and youre on the air. Go
ahead.
Caller1: Okay, whatever happened to Wizards? Im not gonna believe you guys,
unless, you know, you tell me, cos Ive been holding my breath and turning
blue, and things like that.
DJ: Hes talking about Bakshis animation...
Mark: I know. I did a voice for them.
DJ: Oh. So tell him. We have an answer for you, sir.
Mark: I went out and I got a days work on War Wizards. At the time, it was
called War Wizards. And it was a Ralph Bakshi animated cartoon and I did a part that has
like four lines at the same time I was testing for a lead which I didnt get. And
they changed the name to just Wizards. And its gonna come out before Star Wars, like
February- what number? Were not sure. Sometime in February its gonna come out
and he didnt let me see very much. I didnt see any storyboards. I saw drawings
of my character and about three others. And I stood up in a dark studio and I did four
impressions of the Munchkins, and that was my job. So I dont know what the story is
or anything else. But its going to be coming out. Its just called
Wizards.
Caller1: Yeah. The announcement was gonna come out in October and Ive been
sort of twiddlin my thumbs and...
Mark: Yeah. Are you a big Bakshi fan?
Caller1: Ah, yeah. I think so. Its gonna be the first Bakshi film Ive
seen. But Im lookin forward to that with my tongue hangin out. It sounds
good.
DJ: Theres a couple of others playing in town right now. Fritz the Cat I know
is playing.
DJ2: And Heavy Traffic and another one. Theyre playing as a triple bill.
Mark: I saw a couple other films where your tongue would be hanging out, but
theyre not animation.
Caller1: Well...
Mark: Oh, all right.
Caller1: Science fiction and fantasy and all that stuff. But Id rather they
keep their clothes on.
Laughter.
Mark: Im shocked...
DJ: Stay away from Flesh Gordon.
Mark: Right. I was talking about The Shaggy DA. I dunno who this man is...
Laughter.
Caller1: Thank-you.
Mark: Thank-you!
DJ: So the answer is February as far as we know. Anything else?
Caller1: No, thats all. Thanks.
DJ: All right. Thank-you very much!.
Mark: Its going to be one of the shows, all right... I can tell.
DJ: What do you mean "going to be"?
* * * * * * * * * *
Caller3: Yeah, I was at WesterCon last July and part of a meeting we had that slide
show. And, a...
Mark: Wild, wasnt it?
Caller3: Got the impression that you were going to have a return engagement?
Mark: Well, lets see. Charlie Lippincott and I, and I, me, Mark Hamill,
personal friend of mine! were at WesterCon. And that slide show was great! You saw more of
the movie than I ever have. Im a fan. I go to those things anyway, job or no jobs,
so I think probably the next one well do is in Los Angeles. And the lady you
mentioned to me earlier.
DJ: Bjo Trimble. What hes talking about is EchoCon. There wont be a
EchoCon.
Caller3: Not held this year.
Mark: There wont be an EchoCon?
DJ: No.
Mark: Theres got to be some kind of con. They just keep coming back.
DJ: There will be professional cons, but she wont be doing them, she...
Caller3: Therell also be the LostCon 3 over April 1, 2 and 3.
Mark: Where is that?
Caller3: Right here in Los Angeles. A very small, relaxed con.
DJ: Okay. I tell you what. If I put you on hold, could you give Terry the
information? Where, and how much and like that?
Caller3: Well, sure.
DJ: Okay.
Mark: I dont know if well have a display there like we had the last time
with the robots and whatever. Ill show up.
Caller3: This is a relaxed con. Maybe two hundred- 250 people. Dont expect
a...
Mark: Right.
Caller3: ... con turn-out.
* * * * * * * * * *
Caller5: Youre an actor, okay?
Mark: No, Im not! Now, see, this is the big thing that people are getting
confused. I was working at Associated Press, and there was a wire over the...
Caller5: Youre not an actor? Youre a liar!
Mark: No, Im not. No, Im not, though! Ive never acted
before.
Caller5: Are you a journalist?
Mark: No, Im not. I was just- I was...
DJ2: I saw him on tv a couple of weeks ago. Hes right.
Caller5: What were you doing at AP?
Mark: I was a copy-boy.
Caller5: Youre a liar.
Mark: Well, I was a liar copy-boy.
Caller5: Youre a liar.
Mark: No, Im not a liar. Just, okay. All seriousness aside. George Lucas hired
me cos I never acted before. Thats it.
Caller5: What astounding bad judgement on his part.
Mark: Probably.
DJ2: Not necessarily.
Mark: And you alone will be the judge. But, you know. I mean, he probably knows what
he is doing. Hes really smart.
Caller5: Never mind, then. I never go to films.
Mark: You dont?
Caller5: Theyre boring. I havent seen a good film since Zulu.
DJ: Zulu?
Mark: No, Zulu was a good movie.
Caller5: Mike, you saw that, didnt you?
DJ2: No, I missed that.
Caller5: Thats where the 150 valiant line-troopers of the Battalion of Welsh
Borderers held off the 3500 attacking Zulus.
Mark: From a true story.
Caller5: Its a true story?...
Mark: It is a true story. And so is Star Wars. Now, like I said at the beginning,
this is not science fiction. I dont know why Mike wanted us on the show cos it
is a true story.
Caller5: Because the film you guys are allegedly plugging...
Mark: Im plugging it so much, I have bruises.
Chuckling.
Caller5: ... is a science fiction film!
Mark: No, it is not! Its science fact.
Caller5: Say again.
Mark: It is science fact. And any rags, any bones, any bottles today.
Caller5: You can be aborted in mid-flight.
Laughter.
Mark: Through the airwaves? If so, Im heading right to the bathroom, where I
should have been hours ago.
Caller5: No, the Pacific is our ocean. The Atlantic, we dont care what they do
to it.
Laughter.
DJ2: Score one for the...
Caller5: ... rather than a polar one.
DJ2: Not in the backyard.
Mark: I cant say anything to that.
Caller5: As your talkative friend, Michael, whose name escapes me at the moment,
would you repeat your name again, please? Talkative friend?
DJ2: Harrison Ford?
Harrison: No, no. Mark...
DJ: Mark Hamill.
Harrison: Hamill.
DJ: Oh?
Mark: I thought Harrison was the talkative one.
DJ: Yeah..
Caller5: The talkative one will be redesignated "Talkative one" now, okay?
Ill rename him.'
Laughter.
DJ2: Call him "Luke".
DJ: Thats on the second level of the keyboard.
Mark: I know what hes talking about and Im very nervous of the whole
thing.
Harrison: Youve always known him that way, Backyard.
Caller5: Well, Ill rename him to "Talkative One", okay?
Mark: Okay. Okay....
Caller5: Okay. You say youre not a science fiction fan.
DJ: No, he is.
Mark: I love it to death. But you really annoy me. But Harrison does not know what
science fiction is.
Harrison: Im not talkative.
Caller5: But normally, I get paid to annoy people.
Mark: You do?! Boy, youre getting double-time tonight.
Caller5: Well, its like mercenaries. Occasionally they punch someone out for
free.
Laughter.
Mark: Why isnt he in the studio and Im at home annoying him? Talk to
Harrison. Harrison is someone who hates science fiction.
DJ2: No, no. no. Leave it facing the mike.
Caller5: Mike, have you got other calls on the line?
DJ2: Yup.
Caller5: Why dont we let them talk because Im just enjoying myself and
Im sure Im merely boring your friends.
Mark: Youre not, though. You are funny.
* * * * * * * * * *
Caller6: Yes. Asking both of you, would you do another so-called science fact film?
Ever again? After this one.
Harrison: Why not?
Caller6: Mmm. Im just wondering. Ah, sometimes some people just do one science
fiction film and thats it.
DJ: Okay. Fair question. Will you do it again? Not this one, another science fact
film?
Mark: I wanna work! Hey!! Im not doing anything all next week. But, see,
youre talking to a strange case. I love this kind of movie. I do! I love Ray
Harryhausen, I love.... Thats what I grew up on. Im just lucky, you know, that
Im in one. But... they ask you about that. They asked me about that at the science
fiction convention. "Are you worried about being typed?" But if youre
typed, youre working! Definitely. So, since Im gonna check out in about 1987,
I would be glad to be typed. I dunno.
DJ2: Thats only eleven years!
Mark: I know! And Harrison, heres right back to you!
* * * * * * * * * *
DJ: Pull it towards you.
Mark: Okay.
DJ2: Good! Boy, what an actor! Takes direction and makes us laugh!
Laughter.
DJ2: Now that hes gone, we can say all sorts of rude things about him, but we
wont. Instead, we will say that The Star Wars which could be a film worth seeing
just because its not heavy. As Mark says, its not of social importance,
its not an allegory. Its fun!
* * * * * * * * * *
DJ: Well, have you gone, Harrison? Are you still here?
Harrison: No, Im still here.
DJ2: We were told you have a lot of stories about the producer George Lucas.
Harrison: No, the director George Lucas. Hes the director.
DJ: The director. Tell us some more about how he did his job, building The Star
Wars.
Harrison: I dont have a lot of stories. I was a participant in this
experiment. I dont know much more about it than you do.
DJ: You get the idea that somebody whos in a picture mustnt see it the
way you do on the screen, especially in this picture. Apparently...
Harrison: I always thought about it from the point of view of my character.
DJ: Yeah.
Harrison: I really didnt want to know too much more about it than that.
DJ2: What did Lucas tell you about your character? What did you figure out? I
mean...
Harrison: He told me what he was earning a week.
DJ2: Seriously, is that essential? Youre playing a character in a thing that
you know nothing about, so...
Harrison: Well, I know a lot about it. George didnt hire me without figuring
that I knew something about what he was talking about.
DJ2: Okay.
Harrison: But he didnt hire me because I was capable of explaining what he was
talking about.
DJ2: Youre capable of explaining it in action if youre capable of
explaining it in dialogue. You can make the character work.
Harrison: Yeah. Hope so,
DJ2: How?
Harrison: Huh?
DJ2: Alright. By how, I mean...
DJ: Whats acting?
DJ2: Yeah. I guess that is what I mean.
Harrison: Well, if theyd told me I was gonna come here to tell you what acting
was about, I would never have showed up.
Laughter.
DJ: You dont like to talk about it. Or you dont like to talk about it to
people who dont act.
Harrison: I dont like to talk about it. I dont like to hear myself talk
about it.
DJ2: Yeah.
Harrison: Much less to you. I mean, I dont really... . It amazes me that
Im even involved in it. But to hear myself talk about it is completely
embarrassing.
DJ: Okay.
Harrison: Thank-you.
DJ2: Thank-you!
* * * * * * * * * *
Mark: Once more, give us the story that had the reference to Sir Alec, by
Heinlein.
DJ2: Yes. Its in a novel called Double Star. Robert A Heinlein. And we have a
caller that has some information on it. Okay, go ahead!
Caller8: I think I have the reference.
Mark: You do? Hey!
Caller8: Its in the February 56 Astounding. Am I echoing?
DJ2: Yes. Go ahead.
Caller8: Am I echoing now?
DJ2: No. Go ahead.
Caller8: Its page nineteen. And the sentence occurs on the second column, the
right-hand column. It says, "I needed a face as common-place, as impossible to
remember, as the immortal Alec Guiness".
DJ2: Umm.
Caller8: And this is where theyre getting ready to make the actor up so he can
escape from Earth.
Mark: All this week, on channel 28, theyre showing amazing Guiness films.
Theyre showing The Ladykillers, theyre showing Man in the White Suit,
theyre showing-what else are they showing, Mike? Theyre showing- whats
the heist thing?
DJ2: Lavender Hill Mob?
Mark: Lavender Hill Mob. Incred- I mean some of the best films...
DJ: Kind Hearts and Coronets.
Mark: Coronets. What- eight roles?
DJ2: Yeah.
Mark: He plays two women, the 70 year old vicar, its so amazing. You watch the
films and say "Oh, yeah! I met that guy!" I thought it was Harrison Ford.
Caller8: Is this really true?
DJ2: Yes.
Mark: Absolutely!
Caller8: I have to go out and buy a television.
Mark: Or go over to
Harrisons house. Heres his address....'
Caller8: Sorry- too far away.
DJ: Okay. Some you win, some you lose. Thank-you very much for that, Bill. And
thank-you Mark Hamill and Harrison Ford, for coming down and talking about your science
fact programme on our science fiction programme.
Mark: All true.
DJ2: Its The Star Wars. Itll be out around Memorial Day.
DJ: Ive enjoyed very much having both you gentlemen.
Mark: Ive been having so much fun.
DJ: Harrison Ford hasnt said as much, but his presence has been very
obvious.
Laughter.
DJ2: Okay, good night and thank-you for listening.